![\"\"](\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2019\/06\/BAAL-BettyMilan.jpg\")
<\/div>\n\nr\u00e9sum\u00e9<\/a>
\nhistorique<\/a>
\npoints de vue<\/a>
\nchamps de recherche<\/a>
\ncritique<\/a>
\nacheter le livre<\/a><\/div>\n<\/div>\n
\n
extrait<\/em><\/strong><\/h2>\nN’e\u00fbt \u00e9t\u00e9 la guerre, je n’aurai jamais fui mon pays. Son nom, c’est expr\u00e8s que je le tais Qu’importe si tu viens de celui-ci ou bien d’un autre, si ton destin est de devoir quitter le lieu o\u00f9 ta vie s’est construite et de faire la grande travers\u00e9e, au risque de mourir.<\/p>\n
Pas de d\u00e9cision plus difficile \u00e0 prendre…\u00a0le d\u00e9part ou la mort. Avant de m’en aller, je n’imaginais pas ce que pouvait \u00eatre la haute mer, la peur d’\u00eatre englouti, assassin\u00e9 sur le bateau.\u00a0Va-t’en… ce coin est \u00e0 moi… va-t’en ou je te bute.\u00a0La loi du plus fort sur le navire, sur la terre qu’on dit d’accueil.\u00a0Retourne d’o\u00f9 tu viens… Comme si un homme \u00e9tait forc\u00e9 de vivre dans son pays natal.\u00a0Cette terre, ici, c’est la n\u00f4tre. Toute la mer est \u00e0 toi. Quelle barbarie… Sans droit d’asile, il n’est pas de civilisation.<\/p>\n
\nr\u00e9sum\u00e9<\/em><\/strong><\/h2>\nBaal est l\u2019histoire d\u2019une famille. Omar, le patriarche, en est le personnage principal. Il nous conte un drame toujours actuel\u00a0: celui de l\u2019immigration.<\/p>\n
\u00c0 la fin du XIXe si\u00e8cle, au Moyen Orient, quand son meilleur ami est pris par la milice pour servir dans l\u2019arm\u00e9e ennemie, Omar se voit contraint de fuir sa terre natale. En quittant son village, le c\u0153ur d\u00e9chir\u00e9, il jure qu\u2019il reviendra chercher sa famille et sa fianc\u00e9e.<\/p>\n
Il s\u2019embarque pour les Tropiques, traverse l\u2019oc\u00e9an et se lance dans sa nouvelle vie de colporteur, comme ses compatriotes qui ont \u00e9migr\u00e9 au Nouveau Monde. Gr\u00e2ce \u00e0 sa force physique et \u00e0 son intelligence, il va surmonter toutes les difficult\u00e9s, devenir un n\u00e9gociant prosp\u00e8re et faire construire pour sa famille et sa fille unique, Aixa, une demeure aux allures de palais, Baal, \u00ab\u00a0un joyau d\u2019Orient et d\u2019Occident\u00a0\u00bb.<\/p>\n
Mais voil\u00e0 qu\u2019apr\u00e8s sa mort, ses descendants dilapident sa fortune. Accabl\u00e9 par les conflits qui d\u00e9chirent sa famille, le patriarche ne trouve pas le repos dans la mort : il voit la guerre de son pays natal se r\u00e9p\u00e9ter sur sa terre d\u2019accueil. G\u00e2t\u00e9s par l\u2019argent et la hantise de la pauvret\u00e9, ses petits-enfants d\u00e9cident de raser Baal pour vendre le terrain et faire du palais \u00ab\u00a0une affaire plus profitable\u00a0\u00bb. Ils arrachent leur m\u00e8re d\u00e9cr\u00e9pite au foyer o\u00f9 elle a v\u00e9cu toute sa vie et l\u2019envoient habiter une tani\u00e8re avec sa vieille domestique et son chien.<\/p>\n
Indign\u00e9 par le comportement de ses descendants, Omar se culpabilise de ne pas leur avoir cont\u00e9 sa propre lutte, mesure le prix que lui a finalement co\u00fbt\u00e9 leur enfance dor\u00e9e et fait le lien entre leur cruaut\u00e9 et la honte de leurs origines. Non contents d\u2019\u00eatre x\u00e9nophobes, ils sont aussi m\u00e9moricides, \u00ab\u00a0ils ont succomb\u00e9 au vieux fond n\u00e8gre de l\u2019oubli\u00a0\u00bb. En r\u00e9action \u00e0 ce g\u00e2chis, il revient sur sa propre histoire.<\/p>\n
La rem\u00e9moration du pass\u00e9 l\u2019am\u00e8ne alors \u00e0 reconna\u00eetre ses erreurs. Il n\u2019a pas r\u00e9gl\u00e9 sa dette en transmettant ce qu\u2019il avait appris en effectuant la travers\u00e9e et, avec ses pr\u00e9jug\u00e9s sur les femmes, n\u2019a pas su \u00e9duquer sa fille pour qu\u2019elle puisse assurer comme il fallait sa succession. Il s\u2019est repos\u00e9 sur elle pour donner vie \u00e0 Baal, son petit empire tropical, non pour que la demeure continue d\u2019exister apr\u00e8s sa mort et joue son v\u00e9ritable r\u00f4le, celui de m\u00e9morial de l\u2019immigration.<\/p>\n
\nhistorique<\/em><\/strong><\/h2>\nBaal\u00a0est le vingt-sixi\u00e8me ouvrage de Betty Milan, \u00e9crivain et psychanalyste. C’est un roman sur l’immigration. Il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re le 8 juin dernier\u00a0\u00e0 Beyrouth o\u00f9 l’auteur – qui a \u00e9crit deux livres autour de la diaspora libanaise – a \u00e9t\u00e9 distingu\u00e9e par le Ministre libanais des Affaires Etrang\u00e8res\u00a0(photo)<\/a>\u00a0\u00ab\u00a0pour sa contribution au pays de nos anc\u00eatres\u00a0\u00bb.<\/p>\nBaal\u00a0a \u00e9t\u00e9 lanc\u00e9 \u00e0 S\u00e3o Paulo le 18 juin 2019 \u00e0 la Librairie da Vila\u00a0(photos)<\/a> et pr\u00e9sent\u00e9 par le critique litt\u00e9raire Manuel da Costa Pinto comme une oeuvre qui s’inscrit dans la tradition des romans \u00e9crits par les descendants d’immigrants et, parce que le narrateur est un mort, dans la tradition de Machado de Assis, l’auteur des\u00a0M\u00e9moires posthumes de Bras Cubas.<\/p>\n\u00c0 Rio de Janeiro, le roman a \u00e9t\u00e9 lanc\u00e9 \u00e0 la librairie Travessa\u00a0(photos)\u00a0<\/a>avec les pr\u00e9sentations de l’\u00e9crivain Deonisio da Silva et du psychanalyste Marco Antonio Coutinho. Celui-ci a soulign\u00e9 \u00e0 la fois l’importance de la recherche historique et culturelle et la concision de l’auteur qui donne toute sa valeur \u00e0 l’\u00e9criture.<\/p>\nCes lancements ont \u00e9t\u00e9 film\u00e9s et se trouvent sur Youtube\u00a0(S\u00e3o Paulo<\/a>\u00a0|\u00a0Rio de Janeiro)<\/a>. La presse a\u00a0rapidement\u00a0r\u00e9agi.\u00a0La Folha de S.Paulo\u00a0a publi\u00e9 dans sa s\u00e9lection Ilustrada un article de Naief Haddad (article)<\/a>. Bete Pacheco, de la cha\u00eene\u00a0Globo News, a interrog\u00e9 l’auteur sur le programme\u00a0Em Pauta\u00a0(video)<\/a>. D’autres \u00e9crivains se sont exprim\u00e9s dans l’Estado de S.Paulo\u00a0(Claudio Willer) et dans\u00a0Globo\u00a0(Deonisio da Silva). Des articles sur l’ouvrage ont \u00e9t\u00e9 publi\u00e9s dans diff\u00e9rents Etats du Br\u00e9sil.<\/p>\n
\npoints de vue<\/em><\/strong><\/h2>\nDans Baal<\/em>, l’auteur parvient \u00e0 joindre le ton intimiste de ses grands romans au v\u00e9cu de la vie br\u00e9silienne de l’\u00e9poque, mettant l’accent sur l’int\u00e9gration de nouveaux arrivants dont la culture a tant enrichi le Br\u00e9sil.
\nDeon\u00edsio da Silva<\/strong><\/span><\/p>\nBaal<\/em> s’inscrit dans une continuit\u00e9, \u00e0 la fois pr\u00e9cise et insolite: celle des romans \u00e9crits par un \u00ab\u00a0auteur d\u00e9funt\u00a0\u00bb. Betty Milan, \u00e0 sa fa\u00e7on, invente ce langage qui \u00e9claire r\u00e9trospectivement les liens existant entre ses pr\u00e9d\u00e9cesseurs illustres – au premier rang desquels, bien s\u00fbr, les M\u00e9moires posthumes de Bras Cubas<\/em>, de Machado de Assis, mais aussi Zacarias l’artificier<\/em>, de Murilo Rubi\u00e3o
\nMario Sabino<\/strong><\/span><\/p>\n
\nchamps de recherche<\/em><\/strong><\/h2>\nLitt\u00e9rature, Psychanalyse.<\/p>\n
\ncritique<\/em><\/strong><\/h2>\n(voir la version en portugais)<\/a><\/strong><\/p>\n
\nacheter le livre<\/em><\/strong><\/h2>\nLivraria da Travessa (portugais)<\/a>\u00a0|\u00a0Amazon (portugais)<\/a><\/p>","protected":false},"excerpt":{"rendered":"BAAL extrait r\u00e9sum\u00e9 historique points de vue champs de recherche critique acheter le livre extrait N’e\u00fbt \u00e9t\u00e9 la guerre, je n’aurai jamais fui mon pays. Son nom, c’est expr\u00e8s que je le tais Qu’importe si tu viens de celui-ci ou bien d’un autre, si ton destin est de devoir quitter le lieu o\u00f9 ta vie …<\/p>\n","protected":false},"author":1,"featured_media":4647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,5],"tags":[],"class_list":["post-4679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romances","category-livros"],"yoast_head":"\n
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Baal est l\u2019histoire d\u2019une famille. Omar, le patriarche, en est le personnage principal. Il nous conte un drame toujours actuel\u00a0: celui de l\u2019immigration.<\/p>\n
\u00c0 la fin du XIXe si\u00e8cle, au Moyen Orient, quand son meilleur ami est pris par la milice pour servir dans l\u2019arm\u00e9e ennemie, Omar se voit contraint de fuir sa terre natale. En quittant son village, le c\u0153ur d\u00e9chir\u00e9, il jure qu\u2019il reviendra chercher sa famille et sa fianc\u00e9e.<\/p>\n
Il s\u2019embarque pour les Tropiques, traverse l\u2019oc\u00e9an et se lance dans sa nouvelle vie de colporteur, comme ses compatriotes qui ont \u00e9migr\u00e9 au Nouveau Monde. Gr\u00e2ce \u00e0 sa force physique et \u00e0 son intelligence, il va surmonter toutes les difficult\u00e9s, devenir un n\u00e9gociant prosp\u00e8re et faire construire pour sa famille et sa fille unique, Aixa, une demeure aux allures de palais, Baal, \u00ab\u00a0un joyau d\u2019Orient et d\u2019Occident\u00a0\u00bb.<\/p>\n
Mais voil\u00e0 qu\u2019apr\u00e8s sa mort, ses descendants dilapident sa fortune. Accabl\u00e9 par les conflits qui d\u00e9chirent sa famille, le patriarche ne trouve pas le repos dans la mort : il voit la guerre de son pays natal se r\u00e9p\u00e9ter sur sa terre d\u2019accueil. G\u00e2t\u00e9s par l\u2019argent et la hantise de la pauvret\u00e9, ses petits-enfants d\u00e9cident de raser Baal pour vendre le terrain et faire du palais \u00ab\u00a0une affaire plus profitable\u00a0\u00bb. Ils arrachent leur m\u00e8re d\u00e9cr\u00e9pite au foyer o\u00f9 elle a v\u00e9cu toute sa vie et l\u2019envoient habiter une tani\u00e8re avec sa vieille domestique et son chien.<\/p>\n
Indign\u00e9 par le comportement de ses descendants, Omar se culpabilise de ne pas leur avoir cont\u00e9 sa propre lutte, mesure le prix que lui a finalement co\u00fbt\u00e9 leur enfance dor\u00e9e et fait le lien entre leur cruaut\u00e9 et la honte de leurs origines. Non contents d\u2019\u00eatre x\u00e9nophobes, ils sont aussi m\u00e9moricides, \u00ab\u00a0ils ont succomb\u00e9 au vieux fond n\u00e8gre de l\u2019oubli\u00a0\u00bb. En r\u00e9action \u00e0 ce g\u00e2chis, il revient sur sa propre histoire.<\/p>\n
La rem\u00e9moration du pass\u00e9 l\u2019am\u00e8ne alors \u00e0 reconna\u00eetre ses erreurs. Il n\u2019a pas r\u00e9gl\u00e9 sa dette en transmettant ce qu\u2019il avait appris en effectuant la travers\u00e9e et, avec ses pr\u00e9jug\u00e9s sur les femmes, n\u2019a pas su \u00e9duquer sa fille pour qu\u2019elle puisse assurer comme il fallait sa succession. Il s\u2019est repos\u00e9 sur elle pour donner vie \u00e0 Baal, son petit empire tropical, non pour que la demeure continue d\u2019exister apr\u00e8s sa mort et joue son v\u00e9ritable r\u00f4le, celui de m\u00e9morial de l\u2019immigration.<\/p>\n
\n
historique<\/em><\/strong><\/h2>\nBaal\u00a0est le vingt-sixi\u00e8me ouvrage de Betty Milan, \u00e9crivain et psychanalyste. C’est un roman sur l’immigration. Il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re le 8 juin dernier\u00a0\u00e0 Beyrouth o\u00f9 l’auteur – qui a \u00e9crit deux livres autour de la diaspora libanaise – a \u00e9t\u00e9 distingu\u00e9e par le Ministre libanais des Affaires Etrang\u00e8res\u00a0(photo)<\/a>\u00a0\u00ab\u00a0pour sa contribution au pays de nos anc\u00eatres\u00a0\u00bb.<\/p>\nBaal\u00a0a \u00e9t\u00e9 lanc\u00e9 \u00e0 S\u00e3o Paulo le 18 juin 2019 \u00e0 la Librairie da Vila\u00a0(photos)<\/a> et pr\u00e9sent\u00e9 par le critique litt\u00e9raire Manuel da Costa Pinto comme une oeuvre qui s’inscrit dans la tradition des romans \u00e9crits par les descendants d’immigrants et, parce que le narrateur est un mort, dans la tradition de Machado de Assis, l’auteur des\u00a0M\u00e9moires posthumes de Bras Cubas.<\/p>\n\u00c0 Rio de Janeiro, le roman a \u00e9t\u00e9 lanc\u00e9 \u00e0 la librairie Travessa\u00a0(photos)\u00a0<\/a>avec les pr\u00e9sentations de l’\u00e9crivain Deonisio da Silva et du psychanalyste Marco Antonio Coutinho. Celui-ci a soulign\u00e9 \u00e0 la fois l’importance de la recherche historique et culturelle et la concision de l’auteur qui donne toute sa valeur \u00e0 l’\u00e9criture.<\/p>\nCes lancements ont \u00e9t\u00e9 film\u00e9s et se trouvent sur Youtube\u00a0(S\u00e3o Paulo<\/a>\u00a0|\u00a0Rio de Janeiro)<\/a>. La presse a\u00a0rapidement\u00a0r\u00e9agi.\u00a0La Folha de S.Paulo\u00a0a publi\u00e9 dans sa s\u00e9lection Ilustrada un article de Naief Haddad (article)<\/a>. Bete Pacheco, de la cha\u00eene\u00a0Globo News, a interrog\u00e9 l’auteur sur le programme\u00a0Em Pauta\u00a0(video)<\/a>. D’autres \u00e9crivains se sont exprim\u00e9s dans l’Estado de S.Paulo\u00a0(Claudio Willer) et dans\u00a0Globo\u00a0(Deonisio da Silva). Des articles sur l’ouvrage ont \u00e9t\u00e9 publi\u00e9s dans diff\u00e9rents Etats du Br\u00e9sil.<\/p>\n
\npoints de vue<\/em><\/strong><\/h2>\nDans Baal<\/em>, l’auteur parvient \u00e0 joindre le ton intimiste de ses grands romans au v\u00e9cu de la vie br\u00e9silienne de l’\u00e9poque, mettant l’accent sur l’int\u00e9gration de nouveaux arrivants dont la culture a tant enrichi le Br\u00e9sil.
\nDeon\u00edsio da Silva<\/strong><\/span><\/p>\nBaal<\/em> s’inscrit dans une continuit\u00e9, \u00e0 la fois pr\u00e9cise et insolite: celle des romans \u00e9crits par un \u00ab\u00a0auteur d\u00e9funt\u00a0\u00bb. Betty Milan, \u00e0 sa fa\u00e7on, invente ce langage qui \u00e9claire r\u00e9trospectivement les liens existant entre ses pr\u00e9d\u00e9cesseurs illustres – au premier rang desquels, bien s\u00fbr, les M\u00e9moires posthumes de Bras Cubas<\/em>, de Machado de Assis, mais aussi Zacarias l’artificier<\/em>, de Murilo Rubi\u00e3o
\nMario Sabino<\/strong><\/span><\/p>\n
\nchamps de recherche<\/em><\/strong><\/h2>\nLitt\u00e9rature, Psychanalyse.<\/p>\n
\ncritique<\/em><\/strong><\/h2>\n(voir la version en portugais)<\/a><\/strong><\/p>\n
\nacheter le livre<\/em><\/strong><\/h2>\nLivraria da Travessa (portugais)<\/a>\u00a0|\u00a0Amazon (portugais)<\/a><\/p>","protected":false},"excerpt":{"rendered":"BAAL extrait r\u00e9sum\u00e9 historique points de vue champs de recherche critique acheter le livre extrait N’e\u00fbt \u00e9t\u00e9 la guerre, je n’aurai jamais fui mon pays. Son nom, c’est expr\u00e8s que je le tais Qu’importe si tu viens de celui-ci ou bien d’un autre, si ton destin est de devoir quitter le lieu o\u00f9 ta vie …<\/p>\n","protected":false},"author":1,"featured_media":4647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,5],"tags":[],"class_list":["post-4679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romances","category-livros"],"yoast_head":"\n
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Baal\u00a0a \u00e9t\u00e9 lanc\u00e9 \u00e0 S\u00e3o Paulo le 18 juin 2019 \u00e0 la Librairie da Vila\u00a0(photos)<\/a> et pr\u00e9sent\u00e9 par le critique litt\u00e9raire Manuel da Costa Pinto comme une oeuvre qui s’inscrit dans la tradition des romans \u00e9crits par les descendants d’immigrants et, parce que le narrateur est un mort, dans la tradition de Machado de Assis, l’auteur des\u00a0M\u00e9moires posthumes de Bras Cubas.<\/p>\n \u00c0 Rio de Janeiro, le roman a \u00e9t\u00e9 lanc\u00e9 \u00e0 la librairie Travessa\u00a0(photos)\u00a0<\/a>avec les pr\u00e9sentations de l’\u00e9crivain Deonisio da Silva et du psychanalyste Marco Antonio Coutinho. Celui-ci a soulign\u00e9 \u00e0 la fois l’importance de la recherche historique et culturelle et la concision de l’auteur qui donne toute sa valeur \u00e0 l’\u00e9criture.<\/p>\n Ces lancements ont \u00e9t\u00e9 film\u00e9s et se trouvent sur Youtube\u00a0(S\u00e3o Paulo<\/a>\u00a0|\u00a0Rio de Janeiro)<\/a>. La presse a\u00a0rapidement\u00a0r\u00e9agi.\u00a0La Folha de S.Paulo\u00a0a publi\u00e9 dans sa s\u00e9lection Ilustrada un article de Naief Haddad (article)<\/a>. Bete Pacheco, de la cha\u00eene\u00a0Globo News, a interrog\u00e9 l’auteur sur le programme\u00a0Em Pauta\u00a0(video)<\/a>. D’autres \u00e9crivains se sont exprim\u00e9s dans l’Estado de S.Paulo\u00a0(Claudio Willer) et dans\u00a0Globo\u00a0(Deonisio da Silva). Des articles sur l’ouvrage ont \u00e9t\u00e9 publi\u00e9s dans diff\u00e9rents Etats du Br\u00e9sil.<\/p>\n Dans Baal<\/em>, l’auteur parvient \u00e0 joindre le ton intimiste de ses grands romans au v\u00e9cu de la vie br\u00e9silienne de l’\u00e9poque, mettant l’accent sur l’int\u00e9gration de nouveaux arrivants dont la culture a tant enrichi le Br\u00e9sil. Baal<\/em> s’inscrit dans une continuit\u00e9, \u00e0 la fois pr\u00e9cise et insolite: celle des romans \u00e9crits par un \u00ab\u00a0auteur d\u00e9funt\u00a0\u00bb. Betty Milan, \u00e0 sa fa\u00e7on, invente ce langage qui \u00e9claire r\u00e9trospectivement les liens existant entre ses pr\u00e9d\u00e9cesseurs illustres – au premier rang desquels, bien s\u00fbr, les M\u00e9moires posthumes de Bras Cubas<\/em>, de Machado de Assis, mais aussi Zacarias l’artificier<\/em>, de Murilo Rubi\u00e3o Litt\u00e9rature, Psychanalyse.<\/p>\n (voir la version en portugais)<\/a><\/strong><\/p>\n Livraria da Travessa (portugais)<\/a>\u00a0|\u00a0Amazon (portugais)<\/a><\/p>","protected":false},"excerpt":{"rendered":" BAAL extrait r\u00e9sum\u00e9 historique points de vue champs de recherche critique acheter le livre extrait N’e\u00fbt \u00e9t\u00e9 la guerre, je n’aurai jamais fui mon pays. Son nom, c’est expr\u00e8s que je le tais Qu’importe si tu viens de celui-ci ou bien d’un autre, si ton destin est de devoir quitter le lieu o\u00f9 ta vie …<\/p>\n","protected":false},"author":1,"featured_media":4647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,5],"tags":[],"class_list":["post-4679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romances","category-livros"],"yoast_head":"\n
\npoints de vue<\/em><\/strong><\/h2>\n
\nDeon\u00edsio da Silva<\/strong><\/span><\/p>\n
\nMario Sabino<\/strong><\/span><\/p>\n
\nchamps de recherche<\/em><\/strong><\/h2>\n
\ncritique<\/em><\/strong><\/h2>\n
\nacheter le livre<\/em><\/strong><\/h2>\n