![\"O](\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/livro_jogoesconderijog.jpg\")
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\ncritical reaction<\/a>
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excerpt<\/em><\/strong><\/h2>\nThe book was born from psychodrama and is a cry against the authoritarianism of the therapist. Here, the therapist is not taken as model, is not the owner of the truth of the other\u2026 refuses to be the Messiah.<\/p>\n
\nsynopsis<\/em><\/strong><\/h2>\nThe book revolves around two great axes: the question of the choice of the protagonist and the question of the role of the therapist. It offers a new understanding of psychodrama and demythifies the therapist, inviting reflection on the paradoxes of the individual-group-therapist relationship.<\/p>\n
\nhistory<\/em><\/strong><\/h2>\nThe author\u2019s first essay, published in 1976 by Livraria Pioneira Editora, with an afterword by the philosopher Marilena Chau\u00ed. The essay can be found in Trilogia psi<\/em><\/strong>, which brings together her writings on psychodrama, ethno-psychoanalysis, and psychoanalysis; it can be accessed on this site at Selected Works<\/strong><\/a>.<\/p>\n
\nopinion<\/em><\/strong><\/h2>\n\u201cBetty Milan\u2019s book is a courageous discourse that sets out on the lost paths of hiding places in order to force the act of concealment to speak of itself and for itself.\u201d
\nMarilena Chau\u00ed<\/strong>, afterword<\/span><\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nPsychodrama, Group Psychoanalysis, Clinical Psychology, Sociology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\naccess text<\/em><\/strong><\/h2>\n
The book revolves around two great axes: the question of the choice of the protagonist and the question of the role of the therapist. It offers a new understanding of psychodrama and demythifies the therapist, inviting reflection on the paradoxes of the individual-group-therapist relationship.<\/p>\n
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history<\/em><\/strong><\/h2>\nThe author\u2019s first essay, published in 1976 by Livraria Pioneira Editora, with an afterword by the philosopher Marilena Chau\u00ed. The essay can be found in Trilogia psi<\/em><\/strong>, which brings together her writings on psychodrama, ethno-psychoanalysis, and psychoanalysis; it can be accessed on this site at Selected Works<\/strong><\/a>.<\/p>\n
\nopinion<\/em><\/strong><\/h2>\n\u201cBetty Milan\u2019s book is a courageous discourse that sets out on the lost paths of hiding places in order to force the act of concealment to speak of itself and for itself.\u201d
\nMarilena Chau\u00ed<\/strong>, afterword<\/span><\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nPsychodrama, Group Psychoanalysis, Clinical Psychology, Sociology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\naccess text<\/em><\/strong><\/h2>\n
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opinion<\/em><\/strong><\/h2>\n\u201cBetty Milan\u2019s book is a courageous discourse that sets out on the lost paths of hiding places in order to force the act of concealment to speak of itself and for itself.\u201d
\nMarilena Chau\u00ed<\/strong>, afterword<\/span><\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nPsychodrama, Group Psychoanalysis, Clinical Psychology, Sociology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\naccess text<\/em><\/strong><\/h2>\n
\nMarilena Chau\u00ed<\/strong>, afterword<\/span><\/span><\/p>\n
\n
areas of interest<\/em><\/strong><\/h2>\nPsychodrama, Group Psychoanalysis, Clinical Psychology, Sociology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\naccess text<\/em><\/strong><\/h2>\n
(see Portuguese version)<\/a><\/strong><\/p>\n
\naccess text<\/em><\/strong><\/h2>\n