![\"quando](\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/livro_quandoparisg.jpg\")
<\/div>\n\nsynopsis<\/a>
\nhistory<\/a>
\nopinion<\/a>
\nareas of interest<\/a>
\ncritical reaction<\/a>
\nwhere to purchase<\/a><\/div>\n<\/div>\n
\n
excerpt<\/em><\/strong><\/h2>\nwe prefer to imagine everything<\/p>\n
the phrase \u201cTo navigate is necessary, not to live\u201d is the expression of this I always thought it had been written by Fernando Pessoa perhaps because it is found in the beginning of his Obra po\u00e9tica<\/em> or because of the verse declaring \u201cThe endless sea is Portuguese\u201d perhaps I imagined it was of his authorship for some entirely subjective reason for the intimate certainty that an idea so pertinent could only have come from my native tongue the\u00a0 tongue in which ideas spring forth and truly touch us<\/p>\n
\nsynopsis<\/em><\/strong><\/h2>\nquando Paris cintila<\/em><\/strong> consists of 33 cr\u00f4nicas<\/em> without capital letters or periods \u2013<\/em> as in Paris<\/em><\/strong> n\u00e3o acaba nunca<\/em><\/strong>. Through them the reader is transported to Europe, Asia, North and South America, discovering that it is as fundamental to imagine as it is to break habits. The author questions the norms of Western medicine and points out the virtues of alternative medicine. She compares our way of life to that of the Chinese and the people of India. The themes of the book are many, among them the life style of the artist, the ascetic, and the writer.<\/p>\n
\nhistory<\/em><\/strong><\/h2>\nThis title was launched on March 18, 2008, at the Livraria Cultura in S\u00e3o Paulo during an event that included presentation of texts by the writer Fernando Nuno and by the Chinese physician Fang Liu, who spoke on longevity and patience. Afterward, three of the cr\u00f4nicas<\/em> were read by Jos\u00e9 Celso Martinez Corr\u00eaa. The book was recommended by the magazine Veja<\/em> in its issue of March 5, 2008. quando Paris cintila<\/em><\/strong> is an invitation to a voyage.<\/p>\n
\nopinion<\/em><\/strong><\/h2>\n\u201cThere is an aesthetic, a poetry, and a philosophy demonstrated through these experiences in places so distant from one another. Since the first of the cr\u00f4nicas<\/em> in quando Paris cintila<\/em><\/strong>, in which the sun shining on stained glass and the Arabesque tracery evoke the presence of the Orient and art, there is always a particular, a detail, a perception of something that alludes to the universal.\u201d
\nClaudio Willer<\/strong>, Estado de Minas<\/em>, April 12, 2008 <\/span><\/p>\n(…) always an unusual point of view.
\nVeja<\/em><\/strong>, March 5, 2008.<\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nLiterature, Philosophy , Psychoanalysis, Psychology, Sociology, Anthropology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\nwhere to purchase<\/em><\/strong><\/h2>\n
\n
synopsis<\/em><\/strong><\/h2>\nquando Paris cintila<\/em><\/strong> consists of 33 cr\u00f4nicas<\/em> without capital letters or periods \u2013<\/em> as in Paris<\/em><\/strong> n\u00e3o acaba nunca<\/em><\/strong>. Through them the reader is transported to Europe, Asia, North and South America, discovering that it is as fundamental to imagine as it is to break habits. The author questions the norms of Western medicine and points out the virtues of alternative medicine. She compares our way of life to that of the Chinese and the people of India. The themes of the book are many, among them the life style of the artist, the ascetic, and the writer.<\/p>\n
\nhistory<\/em><\/strong><\/h2>\nThis title was launched on March 18, 2008, at the Livraria Cultura in S\u00e3o Paulo during an event that included presentation of texts by the writer Fernando Nuno and by the Chinese physician Fang Liu, who spoke on longevity and patience. Afterward, three of the cr\u00f4nicas<\/em> were read by Jos\u00e9 Celso Martinez Corr\u00eaa. The book was recommended by the magazine Veja<\/em> in its issue of March 5, 2008. quando Paris cintila<\/em><\/strong> is an invitation to a voyage.<\/p>\n
\nopinion<\/em><\/strong><\/h2>\n\u201cThere is an aesthetic, a poetry, and a philosophy demonstrated through these experiences in places so distant from one another. Since the first of the cr\u00f4nicas<\/em> in quando Paris cintila<\/em><\/strong>, in which the sun shining on stained glass and the Arabesque tracery evoke the presence of the Orient and art, there is always a particular, a detail, a perception of something that alludes to the universal.\u201d
\nClaudio Willer<\/strong>, Estado de Minas<\/em>, April 12, 2008 <\/span><\/p>\n(…) always an unusual point of view.
\nVeja<\/em><\/strong>, March 5, 2008.<\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nLiterature, Philosophy , Psychoanalysis, Psychology, Sociology, Anthropology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\nwhere to purchase<\/em><\/strong><\/h2>\n
\n
history<\/em><\/strong><\/h2>\nThis title was launched on March 18, 2008, at the Livraria Cultura in S\u00e3o Paulo during an event that included presentation of texts by the writer Fernando Nuno and by the Chinese physician Fang Liu, who spoke on longevity and patience. Afterward, three of the cr\u00f4nicas<\/em> were read by Jos\u00e9 Celso Martinez Corr\u00eaa. The book was recommended by the magazine Veja<\/em> in its issue of March 5, 2008. quando Paris cintila<\/em><\/strong> is an invitation to a voyage.<\/p>\n
\nopinion<\/em><\/strong><\/h2>\n\u201cThere is an aesthetic, a poetry, and a philosophy demonstrated through these experiences in places so distant from one another. Since the first of the cr\u00f4nicas<\/em> in quando Paris cintila<\/em><\/strong>, in which the sun shining on stained glass and the Arabesque tracery evoke the presence of the Orient and art, there is always a particular, a detail, a perception of something that alludes to the universal.\u201d
\nClaudio Willer<\/strong>, Estado de Minas<\/em>, April 12, 2008 <\/span><\/p>\n(…) always an unusual point of view.
\nVeja<\/em><\/strong>, March 5, 2008.<\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nLiterature, Philosophy , Psychoanalysis, Psychology, Sociology, Anthropology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\nwhere to purchase<\/em><\/strong><\/h2>\n
\n
opinion<\/em><\/strong><\/h2>\n\u201cThere is an aesthetic, a poetry, and a philosophy demonstrated through these experiences in places so distant from one another. Since the first of the cr\u00f4nicas<\/em> in quando Paris cintila<\/em><\/strong>, in which the sun shining on stained glass and the Arabesque tracery evoke the presence of the Orient and art, there is always a particular, a detail, a perception of something that alludes to the universal.\u201d
\nClaudio Willer<\/strong>, Estado de Minas<\/em>, April 12, 2008 <\/span><\/p>\n(…) always an unusual point of view.
\nVeja<\/em><\/strong>, March 5, 2008.<\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\nLiterature, Philosophy , Psychoanalysis, Psychology, Sociology, Anthropology.<\/p>\n
\ncritical reaction<\/em><\/strong><\/h2>\n(see Portuguese version)<\/a><\/strong><\/p>\n
\nwhere to purchase<\/em><\/strong><\/h2>\n
\nClaudio Willer<\/strong>, Estado de Minas<\/em>, April 12, 2008 <\/span><\/p>\n
(…) always an unusual point of view. Literature, Philosophy , Psychoanalysis, Psychology, Sociology, Anthropology.<\/p>\n (see Portuguese version)<\/a><\/strong><\/p>\n
\nVeja<\/em><\/strong>, March 5, 2008.<\/span><\/p>\n
\nareas of interest<\/em><\/strong><\/h2>\n
\ncritical reaction<\/em><\/strong><\/h2>\n
\nwhere to purchase<\/em><\/strong><\/h2>\n