{"id":1490,"date":"2016-04-13T13:33:00","date_gmt":"2016-04-13T16:33:00","guid":{"rendered":"https:\/\/www.bettymilan.com.br\/?p=1490"},"modified":"2016-12-15T08:57:11","modified_gmt":"2016-12-15T11:57:11","slug":"a-paixao-de-lia-teatro","status":"publish","type":"post","link":"https:\/\/www.bettymilan.com.br\/en\/a-paixao-de-lia-teatro\/","title":{"rendered":"A paix\u00e3o de Lia"},"content":{"rendered":"<p><\/p>\n<div class=\"row\">\n<div class=\"titulo-livro col-md-4\">A paix\u00e3o de Lia<\/div>\n<div class=\"col-md-6\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1494 alignright img-responsive\" src=\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/a-paixao-de-lia.jpg\" alt=\"a-paixao-de-lia\" width=\"280\" height=\"240\" srcset=\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/a-paixao-de-lia.jpg 280w, https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/a-paixao-de-lia-105x90.jpg 105w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><span class=\"legenda-teatro\" style=\"padding-top: 225px; line-height: 110%;\">Giulia Gam, S\u00e3o Paulo, 2002<\/span><\/p>\n<\/div>\n<div class=\"col-md-2\"><a class=\"submenu-livro\" href=\"#trecho\">excerpt<\/a><br \/>\n<a class=\"submenu-livro\" href=\"#resumo\">synopsis<\/a><br \/>\n<a class=\"submenu-livro\" href=\"#historico\">history<\/a><br \/>\n<a class=\"submenu-livro\" href=\"#opiniao\">opinion<\/a><!---\n<a class=\"submenu-livro\" href=\"#area\">areas of interest<\/a>\n<a class=\"submenu-livro\" href=\"#fortuna\">critical reaction<\/a>\n<a class=\"submenu-livro\" href=\"#acessar\">access text<\/a>\n<a class=\"submenu-livro\" href=\"#comprar\">where to purchase<\/a>--><br \/>\n<a class=\"submenu-livro\" href=\"#webclip\">webclip<\/a><\/div>\n<\/div>\n<hr class=\"linha-grossa\" \/>\n<h2 id=\"trecho\" class=\"cor-1\"><strong><em>excerpt<\/em><\/strong><\/h2>\n<p>Ali, A-L-I, the same three letters in my name. Seeing or hearing me, he\u2019ll know to say: I would rather love you than anything. With him, I will never think of the clock. Whether it\u2019s day or night matters little to me. The lover \u2013 to transport myself away with him, to go to some other place, to picture, by imagining, all the colors of the white foam of the sea. We will reach the Far East, hear the lute while drinking mint tea. With Ali, I will enter paradise smoking opium, cross the continents, brave the high seas, and then return to port.<\/p>\n<hr class=\"linha-grossa\" \/>\n<h2 id=\"resumo\" class=\"cor-1\"><strong><em>synopsis<\/em><\/strong><\/h2>\n<p><strong><em>A paix\u00e3o de Lia<\/em><\/strong> is a work of fiction in which feminine desire is expressed poetically. The story of Lia is that of her fantasy, of her journey from one situation to another in which, through imagination, she fulfills her desires.<\/p>\n<p>Each situation corresponds to a pledge made by the character. The first is that of finding a lover, the ideal.<br \/>\nThe second, finding in a bordello the simulation of the ideal lover. The third, being a courtesan.<\/p>\n<p>The fourth, being a lesbian, and the fifth, being a mother. Five vows in five chapters: My Man, The Brothel, The Courtesan, Lesbos, and Ave, Maria!<\/p>\n<p>The protagonist\u2019s erotic monologue is a journey in which we hear both Lia\u2019s voice and the female voices in which she envelops herself \u2013 Billie Holiday, Edith Piaf. The reader travels hearing and transporting himself to the places Lia dreams about: Paris, Buenos Aires, New York&#8230;<\/p>\n<p>In this text, the heroine gives scant importance to sexual gratification and says that even in the brothel the only requisite should be pleasure. What interests her is the dreamed-of sex, and this is why Betty Milan, evoking Fernando Pessoa, says in the introduction that \u201con earth it is as necessary to dream as to navigate.\u201d<\/p>\n<p>The play is in five acts and was written for three actors: a woman in the role of Lia, a man embodying \u201cThe Voice,\u201d and a boy in the role of the son.<\/p>\n<hr class=\"linha-grossa\" \/>\n<h2 id=\"historico\" class=\"cor-1\"><strong><em>history<\/em><\/strong><\/h2>\n<p>After the publication of <strong><em>A paix\u00e3o de Lia<\/em><\/strong> by Editora Globo in 1994, Betty Milan adapted the novel for the theater. The play was read by the actress Giulia Gam and the actor and director Jos\u00e9 Celso Martinez Corr\u00eaa in the auditorium of the <em>Folha de S. Paulo<\/em> on February 26, 2002, directed by Jos\u00e9 Celso himself.<\/p>\n<hr class=\"linha-grossa\" \/>\n<h2 id=\"opiniao\" class=\"cor-1\"><strong><em>opinion<\/em><\/strong><\/h2>\n<p>\u201c\u2026Lia flies far\u2026 touches profoundly.\u201d<br \/>\n<span class=\"autor\"><strong><em>Folha de S. Paulo<\/em><\/strong>, February 2002<\/span><\/p>\n<p><!---\n\n\n\n<hr class=\"linha-grossa\" \/>\n\n\n\n<h2 id=\"area\" class=\"cor-1\"><strong><em>areas of interest<\/em><\/strong><\/h2>\n\n\nEthics, Pedagogy.\n\n\n\n<hr class=\"linha-grossa\" \/>\n\n\n\n<h2 id=\"fortuna\" class=\"cor-1\"><strong><em>critical reaction<\/em><\/strong><\/h2>\n\n\n<strong><a href=\"https:\/\/www.bettymilan.com.br\/pb\/paixao\/#fortuna\">(see Portuguese version)<\/a><\/strong>\n\n\n\n<hr class=\"linha-grossa\" \/>\n\n\n\n<h2 id=\"acessar\" class=\"cor-1\"><strong><em>access text<\/em><\/strong><\/h2>\n\n\n<a href=\"https:\/\/www.bettymilan.com.br\/wp-content\/uploads\/2016\/04\/O-QUE-E-AMOR-PDF_integra-com-notas.pdf\" target=\"_blank\"><strong>(see Portuguese version)<\/strong><\/a>\n\n\n\n<hr class=\"linha-grossa\" \/>\n\n\n\n<h2 id=\"comprar\" class=\"cor-1\"><strong><em>where to purchase<\/em><\/strong><\/h2>\n\n\n<a href=\"http:\/\/www.livrariacultura.com.br\/p\/a-cartilha-do-amigo-30350160\" target=\"_blank\">Livraria Cultura<\/a>\n--><\/p>\n<hr class=\"linha-grossa\" \/>\n<h2 id=\"webclip\" class=\"cor-1\"><strong><em>webclip<\/em><\/strong><\/h2>\n<p><strong><a href=\"https:\/\/www.bettymilan.com.br\/pb\/a-paixao-de-lia-clip\/\">(see Portuguese version)<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>A paix\u00e3o de Lia Giulia Gam, S\u00e3o Paulo, 2002 excerpt synopsis history opinion webclip excerpt Ali, A-L-I, the same three letters in my name. Seeing or hearing me, he\u2019ll know to say: I would rather love you than anything. With him, I will never think of the clock. Whether it\u2019s day or night matters little &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1490","post","type-post","status-publish","format-standard","hentry","category-pecas-de-teatro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A paix\u00e3o de Lia | Betty Milan<\/title>\n<meta name=\"description\" content=\"A paix\u00e3o de Lia Giulia Gam, S\u00e3o Paulo, 2002 trecho resumo hist\u00f3rico opini\u00e3o webclip trecho Ali, A --\u00a0 L \u2013 I, as tr\u00eas letras do meu nome. 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